Calchas Stock Photos and Images

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Calchas Stock Photos and Images

RMG388EK–Calchas

CALCHAS Ancient Greek seer who is described in the opening scenes of the Iliad Stock Photo

RM2BWTJWJ–CALCHAS Ancient Greek seer who is described in the opening scenes of the Iliad

Franciszek Smuglewicz (1745-1807). Polish-Lithuanian painter. Calchas explaining the Reason of Apollo's anger to Achilles. Vilnius Picture Gallery Stock Photo

RMJE4CG7–Franciszek Smuglewicz (1745-1807). Polish-Lithuanian painter. Calchas explaining the Reason of Apollo's anger to Achilles. Vilnius Picture Gallery

PREDICTIONS AND PROPHECY Calchas was a soothsyer with the Greeks at Troy. An oracle declared that he would die if he met a soothsayer superior to himself. he died when he met Mopsus. His oracle was at Calchas, in Apulia. From the 1972 edition of Jacopo Guarana's Oracoli, Auguri, Aruspici, Sibille, indovinia della Religione Pagana Stock Photo

RMMC86WF–PREDICTIONS AND PROPHECY Calchas was a soothsyer with the Greeks at Troy. An oracle declared that he would die if he met a soothsayer superior to himself. he died when he met Mopsus. His oracle was at Calchas, in Apulia. From the 1972 edition of Jacopo Guarana's Oracoli, Auguri, Aruspici, Sibille, indovinia della Religione Pagana

Relief with the Seer Calchas, Unknown, Relief: 140 - 160, Head: 170 - 190, Marble, 145 × 99.5 × 26.6 cm, 408 kg (57 1/16 × 39 3/16 × 10 1/2 in., 899.4768 lb Stock Photo

RMW51DT4–Relief with the Seer Calchas, Unknown, Relief: 140 - 160, Head: 170 - 190, Marble, 145 × 99.5 × 26.6 cm, 408 kg (57 1/16 × 39 3/16 × 10 1/2 in., 899.4768 lb

Mimosa Skipper, Cogia calchas Stock Photo

RMR82A58–Mimosa Skipper, Cogia calchas

Foraging Mimosa Skipper (Cogia calchas) in Panama Stock Photo

RM2R3EBC8–Foraging Mimosa Skipper (Cogia calchas) in Panama

Mimosa Skipper, Cogia calchas, female Stock Photo

RMR1AD6N–Mimosa Skipper, Cogia calchas, female

Mary Gilmore as Orestes and Derek Hammond Stroud as Calchas are pictured in costume for a dress rehearsal at Sadler's Wells Theatre, London, for the revival of Offenbach's 'La Belle Helene', which is being brought into the Christmas repertoire at the Theatre. Mary Gilmore comes from Downpatrick, Northern Ireland, and Derek Hammond Stroud from Highbury, London. Stock Photo

RMG569BN–Mary Gilmore as Orestes and Derek Hammond Stroud as Calchas are pictured in costume for a dress rehearsal at Sadler's Wells Theatre, London, for the revival of Offenbach's 'La Belle Helene', which is being brought into the Christmas repertoire at the Theatre. Mary Gilmore comes from Downpatrick, Northern Ireland, and Derek Hammond Stroud from Highbury, London.

RMP9EE58–Franciszek Smuglewicz (1745-1807). Polish-Lithuanian painter. Calchas explaining the Reason of Apollo's anger to Achilles. Vilnius Picture Gallery.

RMJ2WMTH–Calchas Miroir

Mauritz Gründer som Calchas i Den sköna Helena, Vasateatern 1888 263 Mauritz Gründer, rollporträtt - SMV - H3 102 Stock Photo

RMP7NXF8–Mauritz Gründer som Calchas i Den sköna Helena, Vasateatern 1888 263 Mauritz Gründer, rollporträtt - SMV - H3 102

RM2E8R8W0–Miroir de Calchas.

Carl Johan Uddman som Calchas i Den sköna Helena, Kungliga Dramatiska teatern 1865 61 Carl Johan Uddman, rollporträtt - SMV - H8 180 Stock Photo

RMP7T51A–Carl Johan Uddman som Calchas i Den sköna Helena, Kungliga Dramatiska teatern 1865 61 Carl Johan Uddman, rollporträtt - SMV - H8 180

Calchas-Quadrille / on the grounds / La belle Hélène Stock Photo

RM2B8XH03–Calchas-Quadrille / on the grounds / La belle Hélène

RMB33D3K–Mimosa Skipper Cogia calchas

Relief with the Seer Calchas. Unknown Stock Photo

RM2F5FP0W–Relief with the Seer Calchas. Unknown

RMB33D7F–Mimosa Skipper Cogia calchas

The sacrifice of Iphigenia The prophet Calchas, in order to favor the journey of the Achaean ships to Troy, imposes the sacrifice of Iphigenia, at the presence of her horrified father Agamemnon, as well as Ulysses and Diomedes. The story, inspired by Euripides' Iphigenia in Aulide, will be resolved by replacing the young girl with a deer sent by Artemis fresco Pompeii, Casa del Poeta Tragico (House of the Tragic Poet) 45-79 AD Stock Photo

RM2GD2F3K–The sacrifice of Iphigenia The prophet Calchas, in order to favor the journey of the Achaean ships to Troy, imposes the sacrifice of Iphigenia, at the presence of her horrified father Agamemnon, as well as Ulysses and Diomedes. The story, inspired by Euripides' Iphigenia in Aulide, will be resolved by replacing the young girl with a deer sent by Artemis fresco Pompeii, Casa del Poeta Tragico (House of the Tragic Poet) 45-79 AD

RMG388EM–CALCHAS

Troilus and Cressida act V scene II- Calchas' tent with Diomed and Cressida, Troilus, Ulysses and Thersiles. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c vol. II, plate XXXV. Language: English. Author: SHAKESPEARE, WILLIAM. SCHIAVONETTI, LUIGI. Stock Photo

RMR54G0B–Troilus and Cressida act V scene II- Calchas' tent with Diomed and Cressida, Troilus, Ulysses and Thersiles. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c vol. II, plate XXXV. Language: English. Author: SHAKESPEARE, WILLIAM. SCHIAVONETTI, LUIGI.

RMAY3PFB–Calchas

Relief with the Seer Calchas, Unknown, Relief: 140 - 160, Head: 170 - 190, Marble, 145 × 99.5 × 26.6 cm, 408 kg (57 1/16 × 39 3/16 × 10 1/2 in., 899.4768 lb.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B97165–Relief with the Seer Calchas, Unknown, Relief: 140 - 160, Head: 170 - 190, Marble, 145 × 99.5 × 26.6 cm, 408 kg (57 1/16 × 39 3/16 × 10 1/2 in., 899.4768 lb.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Performance of the operetta 'The Beautiful Helen', 1932 Stock Photo

RMCPHTFE–Performance of the operetta 'The Beautiful Helen', 1932

www.flickr.com/photos/internetarchivebookimages/tags/book... . and themarrow of bears. According to other ac-counts, Thetis endeavoured to make Achillesimmortal by dipping him in the river Styx, andsucceeded with the exception of the heel, bywhich she held him (Stat. Achill. i. 269). Whenhe had reached the age of nine, Calchas de-clared that Troy could not be taken withouthis aid; and Thetis, knowing that the warwould be fatal to him, disguised him as amaiden, and introduced him among thedaughters of Lycomedes of Scyros, where hewas called by the name of Pyrrha on accountof his golden locks. H Stock Photo

RM2AJM6K8–www.flickr.com/photos/internetarchivebookimages/tags/book... . and themarrow of bears. According to other ac-counts, Thetis endeavoured to make Achillesimmortal by dipping him in the river Styx, andsucceeded with the exception of the heel, bywhich she held him (Stat. Achill. i. 269). Whenhe had reached the age of nine, Calchas de-clared that Troy could not be taken withouthis aid; and Thetis, knowing that the warwould be fatal to him, disguised him as amaiden, and introduced him among thedaughters of Lycomedes of Scyros, where hewas called by the name of Pyrrha on accountof his golden locks. H

Ruins of Silyon ancient city in Antalya province of Turkey. Stock Photo

RFWB9PRP–Ruins of Silyon ancient city in Antalya province of Turkey.

RMR1AD6J–Mimosa Skipper, Cogia calchas, female

Coleus scutellarioides with a natural background Stock Photo

RF2JHYE3Y–Coleus scutellarioides with a natural background

RMJ47KWF–Miroir de Calchas

RM2E8R8RE–Miroir étrusque de Calchas.

Carl Johan Uddman som Calchas i Den sköna Helena, Kungliga Dramatiska teatern 1865 61 Carl Johan Uddman, rollporträtt - SMV - H8 181 Stock Photo

RMP7T51B–Carl Johan Uddman som Calchas i Den sköna Helena, Kungliga Dramatiska teatern 1865 61 Carl Johan Uddman, rollporträtt - SMV - H8 181

N/A. Plate CCCIII Warning: some taxa/names may be misidentified/misapplied or placed in a different genus. A: '(Phalaena) Calchas' ( = Dirphia calchas (Cramer 1780), iconotype, see The Global Lepidoptera Names Index, NHM). B, C: '(Phalaena) Nausica' ( = Hyperchiria nausica (Cramer, [1779]), see Funet). Photos at Barcode of Life. In register spelled 'Nauzica' Also on pl 249, D, E. D, E, F, G: '(Phalaena) Jo' ( = () Automeris io (Fabricius, 1775) see Funet). Photos at Butterflies and Moths of North America. Not found in Lepindex, not in Funet as Phalaena Io. . 1779. Pieter Cramer (1721 - Stock Photo

RMP5YA5W–N/A. Plate CCCIII Warning: some taxa/names may be misidentified/misapplied or placed in a different genus. A: '(Phalaena) Calchas' ( = Dirphia calchas (Cramer 1780), iconotype, see The Global Lepidoptera Names Index, NHM). B, C: '(Phalaena) Nausica' ( = Hyperchiria nausica (Cramer, [1779]), see Funet). Photos at Barcode of Life. In register spelled 'Nauzica' Also on pl 249, D, E. D, E, F, G: '(Phalaena) Jo' ( = () Automeris io (Fabricius, 1775) see Funet). Photos at Butterflies and Moths of North America. Not found in Lepindex, not in Funet as Phalaena Io. . 1779. Pieter Cramer (1721 -

Portrait of actor Carl Johan Uddman as Calchas in Sköna Helena. Stock Photo

RM2JFA917–Portrait of actor Carl Johan Uddman as Calchas in Sköna Helena.

The Prophecy of Calchas from a set of The Story of Troy probably first half 17th century Chinese, Macao, for export market. The Prophecy of Calchas from a set of The Story of Troy 227498 Stock Photo

RM2HHXHWX–The Prophecy of Calchas from a set of The Story of Troy probably first half 17th century Chinese, Macao, for export market. The Prophecy of Calchas from a set of The Story of Troy 227498

Sacrifice on the altar of Apollo, in or before 1571 print A priest kneels with a torch to ignite the fire on the altar for an image of Apollo. There are two sacrificial animals in front of the image, a large bird flies above. A group of people, including the King of Troy and his wife, watch. Under the show is a rule of text in Latin, numbered on the right: 6. The print is part of a series of prints about the Trojan War. paper engraving sacrifice to Jupiter and Apollo: a snake swallows a nest of eight young birds and their mother; the augur Calchas explains the portent Stock Photo

RM2WEPWDX–Sacrifice on the altar of Apollo, in or before 1571 print A priest kneels with a torch to ignite the fire on the altar for an image of Apollo. There are two sacrificial animals in front of the image, a large bird flies above. A group of people, including the King of Troy and his wife, watch. Under the show is a rule of text in Latin, numbered on the right: 6. The print is part of a series of prints about the Trojan War. paper engraving sacrifice to Jupiter and Apollo: a snake swallows a nest of eight young birds and their mother; the augur Calchas explains the portent

RMAY3PFD–Calchas

RMG388EH–Mopsus

The standard edition of the pictorial Shakspere . I.— ETposd myself,From certain and possessd conveniences,To doubtful fortunes.^ The Troy Book gives a different version of themotives of Calchas in going over to the Greeks.Apollo appeared to the priest,— And said Calchas twice by his name;Be right well ware thoune turn againTo Troy town, for that were but in vain ;For finally learn this thing of me,In short time it shall destroyed be. ^ Scene III.— / have a womans longing,An appetite that I am sick withal,To see great Hector in his weeds ofpeacey In the Destruction of Troy we have the sameconc Stock Photo

RM2AXB8C4–The standard edition of the pictorial Shakspere . I.— ETposd myself,From certain and possessd conveniences,To doubtful fortunes.^ The Troy Book gives a different version of themotives of Calchas in going over to the Greeks.Apollo appeared to the priest,— And said Calchas twice by his name;Be right well ware thoune turn againTo Troy town, for that were but in vain ;For finally learn this thing of me,In short time it shall destroyed be. ^ Scene III.— / have a womans longing,An appetite that I am sick withal,To see great Hector in his weeds ofpeacey In the Destruction of Troy we have the sameconc

Rocky outcrop with the scattered ruins of Silyon ancient city in Antalya province of Turkey. Stock Photo

RFWB9PRM–Rocky outcrop with the scattered ruins of Silyon ancient city in Antalya province of Turkey.

Mimosa Skipper, Cogia calchas, male Stock Photo

RMR1AD46–Mimosa Skipper, Cogia calchas, male

RF2JHYDHK–Coleus scutellarioides with a natural background

RMJFWG9D–Calchas Miroir Négatif

RM2E8R8RY–Miroir etrusque de Calchas.

Marriage of Paris and Helen. unknown c. 1510-1520 Tapestry Dimensions: H 418 x W 670 cm Tapestry Materials/Techniques: wool (warp, 6-7/cm); wool & silk Culture: Southern Netherlands Ownership History: French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: City mark on lower guard, left of center Marriage of Paris & Helen (center); Paris brings message to Venus (Aphrodite) (lower L); Chryseis kneels with sword before Ulysses in front of Paris (upper L); Menelaus, Agamemnon, & his slave Chryseis with other persons in mansion (lower R); prediction of soothsayer Calchas presenc Stock Photo

RM2WTG97G–Marriage of Paris and Helen. unknown c. 1510-1520 Tapestry Dimensions: H 418 x W 670 cm Tapestry Materials/Techniques: wool (warp, 6-7/cm); wool & silk Culture: Southern Netherlands Ownership History: French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: City mark on lower guard, left of center Marriage of Paris & Helen (center); Paris brings message to Venus (Aphrodite) (lower L); Chryseis kneels with sword before Ulysses in front of Paris (upper L); Menelaus, Agamemnon, & his slave Chryseis with other persons in mansion (lower R); prediction of soothsayer Calchas presenc

RMG388EG–MOPSUS

The standard edition of the pictorial Shakspere . er, severally entreat him.Beat loud the tabourines, let the trumpets blow.That this great soldier may his welcome know.[^Exeunt all hut Troilus and Ulysses. Tro. My lord Ulysses, tell me, I beseech you,In what place of the field doth Calchas keep ? Ulyss. At Menelaus tent, most princelvTroilus :There Diomed doth feast with him to-night;Who neither looks on heaven, nor on earth, » Yuu in the folio; the quarto, wc^ So the folio ; the quarto, Who neither looks upon the heaven nor earth. But gives all gaze and bent of amorous viewOn tlie fair Cress Stock Photo

RM2AXB891–The standard edition of the pictorial Shakspere . er, severally entreat him.Beat loud the tabourines, let the trumpets blow.That this great soldier may his welcome know.[^Exeunt all hut Troilus and Ulysses. Tro. My lord Ulysses, tell me, I beseech you,In what place of the field doth Calchas keep ? Ulyss. At Menelaus tent, most princelvTroilus :There Diomed doth feast with him to-night;Who neither looks on heaven, nor on earth, » Yuu in the folio; the quarto, wc^ So the folio ; the quarto, Who neither looks upon the heaven nor earth. But gives all gaze and bent of amorous viewOn tlie fair Cress

RMAY3PFA–Mopsus

RMR1AD4C–Mimosa Skipper, Cogia calchas, male

RFWB9PTD–Ruins of Silyon ancient city in Antalya province of Turkey.

Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp. Stock Photo

RMR83FN4–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

RMJG3TB1–Miroir étrusque de Calchas

RF2JHYE7X–Coleus scutellarioides with a natural background

RM2WTFRKE–Marriage of Paris and Helen. unknown c. 1510-1520 Tapestry Dimensions: H 418 x W 670 cm Tapestry Materials/Techniques: wool (warp, 6-7/cm); wool & silk Culture: Southern Netherlands Ownership History: French & Co. Spain, Zaragoza, Zaragoza, Cathedral of La Seo. Inscriptions: City mark on lower guard, left of center Marriage of Paris & Helen (center); Paris brings message to Venus (Aphrodite) (lower L); Chryseis kneels with sword before Ulysses in front of Paris (upper L); Menelaus, Agamemnon, & his slave Chryseis with other persons in mansion (lower R); prediction of soothsayer Calchas presenc

Programme . not inter-changeable, and in the definitions confusion reigns. Iphigenie en Aulide, Tragedie-opera in three acts, text byBailli Du Rollet (after Racine), was performed for the first time atthe Paris Opera on April 19, 1774. The cast was as follows: Iphi-genie, Sophie Arnould; Clytemnestre, Mile, du Plant; Achille, Le-gros; Agamemnon, LArrivee; Calchas, Gelin; Patrocle, Durand.The dancers were Mmes. Guimard, Allard, Heinel, Peslin; Messrs.Vestris, Gardel. Armide, tragedy in five acts, text by Quinault, music by Gluck,was performed for the first time at the Paris Opera, September 23, Stock Photo

RM2AJ3KA5–Programme . not inter-changeable, and in the definitions confusion reigns. Iphigenie en Aulide, Tragedie-opera in three acts, text byBailli Du Rollet (after Racine), was performed for the first time atthe Paris Opera on April 19, 1774. The cast was as follows: Iphi-genie, Sophie Arnould; Clytemnestre, Mile, du Plant; Achille, Le-gros; Agamemnon, LArrivee; Calchas, Gelin; Patrocle, Durand.The dancers were Mmes. Guimard, Allard, Heinel, Peslin; Messrs.Vestris, Gardel. Armide, tragedy in five acts, text by Quinault, music by Gluck,was performed for the first time at the Paris Opera, September 23,

RMAY3PF8–Mopsus

RFWB9PRR–Ruins of Silyon ancient city in Antalya province of Turkey.

RMR83FMT–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

RMR82BKX–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

RF2JHYECX–Coleus scutellarioides with a natural background

. Pompeii : its life and art . iled head. 314 POMPEII The veiled Agamemnon appears in our painting, and the fig-ure of Calchas perhaps reflects the conception of Timanthes.For the rest, it is difficult to establish a relation between thetwo pictures ; even if we did not know that Iphigenia, in thepainting of Timanthes, stood beside an altar, we could scarcelybelieve that a great painter would have represented her thusawkwardly carried. Undoubtedly the Pompeian painting, or itsoriginal, is indebted to the masterpiece of the Greek artist;but the decorative painter has adapted this to suit his pu Stock Photo

RM2CDB93R–. Pompeii : its life and art . iled head. 314 POMPEII The veiled Agamemnon appears in our painting, and the fig-ure of Calchas perhaps reflects the conception of Timanthes.For the rest, it is difficult to establish a relation between thetwo pictures ; even if we did not know that Iphigenia, in thepainting of Timanthes, stood beside an altar, we could scarcelybelieve that a great painter would have represented her thusawkwardly carried. Undoubtedly the Pompeian painting, or itsoriginal, is indebted to the masterpiece of the Greek artist;but the decorative painter has adapted this to suit his pu

RFWB9PRN–Rocky outcrop with the scattered ruins of Silyon ancient city in Antalya province of Turkey.

RMR82BKD–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

RF2JHYET4–Coleus scutellarioides with a natural background

RMR82A42–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

. Pompeii : its life and art . right stands Calchas, deeply troubled, his sheath inhis left hand, his unsheathed sword in his right, his finger uponhis lips. The hapless maid with arms outstretched in supplica-tion is held by two men, one of whom is perhaps Ulysses. Atthe left is Agamemnon, with face averted and veiled head, over-come with grief. Beside him leans his sceptre, and on a pillarnear by we see an archaic statue of Artemis with a torch ineach hand, a dog on either side. Just as the girl is to be slain,Artemis appears in the sky at the right, and from the cloudsopposite a nymph emerg Stock Photo

RM2CDB9BW–. Pompeii : its life and art . right stands Calchas, deeply troubled, his sheath inhis left hand, his unsheathed sword in his right, his finger uponhis lips. The hapless maid with arms outstretched in supplica-tion is held by two men, one of whom is perhaps Ulysses. Atthe left is Agamemnon, with face averted and veiled head, over-come with grief. Beside him leans his sceptre, and on a pillarnear by we see an archaic statue of Artemis with a torch ineach hand, a dog on either side. Just as the girl is to be slain,Artemis appears in the sky at the right, and from the cloudsopposite a nymph emerg

Watercourse and fountain in Silyon ancient city in Antalya province of Turkey. Stock Photo

RFWB9PT9–Watercourse and fountain in Silyon ancient city in Antalya province of Turkey.

RF2JHYC6M–Coleus scutellarioides with a natural background

RMR82A03–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

. Francisci Sanctii Brocensis .. . gur Theftorides,Vincemus aif.gaudete Telafgi: Troia cadetifed erit noflri mora longalaboris, At V feruatferpentisimagine faxum. H*c nifi mentitur. Calchas augurum prarftan- cMm.rifsimus(vt ait Homerus) Theftoris Troiani ft-liis: vnde Theftorides dicitur, Apollinis monitufecutus eft Gracos. Achilli charus fuit. Poft ex-peditionem Troianam in Colophonem Ionia?vrhem peruenit* Cumq; eflet in luco ApollinisClarij,cumMopfo augure pra?ftantifsimo in Mo$fm**certamen diuinandi defcendit. Cui propofuit ° rquot ficus haberet capiificus qusedam. Qua?cum Mopfus diuinaflet Stock Photo

RM2CP9G80–. Francisci Sanctii Brocensis .. . gur Theftorides,Vincemus aif.gaudete Telafgi: Troia cadetifed erit noflri mora longalaboris, At V feruatferpentisimagine faxum. H*c nifi mentitur. Calchas augurum prarftan- cMm.rifsimus(vt ait Homerus) Theftoris Troiani ft-liis: vnde Theftorides dicitur, Apollinis monitufecutus eft Gracos. Achilli charus fuit. Poft ex-peditionem Troianam in Colophonem Ionia?vrhem peruenit* Cumq; eflet in luco ApollinisClarij,cumMopfo augure pra?ftantifsimo in Mo$fm**certamen diuinandi defcendit. Cui propofuit ° rquot ficus haberet capiificus qusedam. Qua?cum Mopfus diuinaflet

Ruined city gate in Silyon ancient city in Antalya province of Turkey. Stock Photo

RFWB9PW5–Ruined city gate in Silyon ancient city in Antalya province of Turkey.

RF2JHYF6A–Coleus scutellarioides with a natural background

RMR82A14–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

. Emblemi di Andrea Alciato, huomo chiarissimo, dal latino nel vulgare italiano ridotti . E» I Emblema ta» i^j Ex arduisperpctuum nomen.EMBLEMA CXXXII.. CREDIDERAT platani ramis Aia pignorapaiTer,Et bene, ni fasuo vifa dracene fbrenc.GiurijthicpuIlosomnes,mifcramq; parentcm Saxeus, & tali dignus obire nccc^.HxCi nifi mentitur Calchas, monumenta laborisSunt longi, cuius fama perennis cat. Che dalle cofeMakgeuoli sacquifta T^meTerpetuo, ^ Jmmortale, EMBLEMA CXXXIL Al ^Kmi hauea dvn Vlatano commeffoLa Tafiera i fmi Vani; E benyfeìcrudo N 2 Dra- ^ 1^6 tAndrextyflciati 7)ragon yeduti non gli hauejì Stock Photo

RM2CR0D3C–. Emblemi di Andrea Alciato, huomo chiarissimo, dal latino nel vulgare italiano ridotti . E» I Emblema ta» i^j Ex arduisperpctuum nomen.EMBLEMA CXXXII.. CREDIDERAT platani ramis Aia pignorapaiTer,Et bene, ni fasuo vifa dracene fbrenc.GiurijthicpuIlosomnes,mifcramq; parentcm Saxeus, & tali dignus obire nccc^.HxCi nifi mentitur Calchas, monumenta laborisSunt longi, cuius fama perennis cat. Che dalle cofeMakgeuoli sacquifta T^meTerpetuo, ^ Jmmortale, EMBLEMA CXXXIL Al ^Kmi hauea dvn Vlatano commeffoLa Tafiera i fmi Vani; E benyfeìcrudo N 2 Dra- ^ 1^6 tAndrextyflciati 7)ragon yeduti non gli hauejì

RFWB9PW9–Ruined city gate in Silyon ancient city in Antalya province of Turkey.

RF2JHYDRD–Coleus scutellarioides with a natural background

RMR82A22–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

RMR27JC9–Mimosa Skipper, Cogia calchas, on mist flower, Conoclinium sp.

Mimosa Skipper, Cogia calchas, female on sunflower Helianthus sp. Stock Photo

RMR1AD6X–Mimosa Skipper, Cogia calchas, female on sunflower Helianthus sp.

. Emblemi di Andrea Alciato, huomo chiarissimo, dal latino nel vulgare italiano ridotti . CREDIDERAT platani ramis Aia pignorapaiTer,Et bene, ni fasuo vifa dracene fbrenc.GiurijthicpuIlosomnes,mifcramq; parentcm Saxeus, & tali dignus obire nccc^.HxCi nifi mentitur Calchas, monumenta laborisSunt longi, cuius fama perennis cat. Che dalle cofeMakgeuoli sacquifta T^meTerpetuo, ^ Jmmortale, EMBLEMA CXXXIL Al ^Kmi hauea dvn Vlatano commeffoLa Tafiera i fmi Vani; E benyfeìcrudo N 2 Dra- ^ 1^6 tAndrextyflciati 7)ragon yeduti non gli hauejìe toHo. Trangugiò queSio tutti i figli y e infieme Lafflitta Ma Stock Photo

RM2CR0D46–. Emblemi di Andrea Alciato, huomo chiarissimo, dal latino nel vulgare italiano ridotti . CREDIDERAT platani ramis Aia pignorapaiTer,Et bene, ni fasuo vifa dracene fbrenc.GiurijthicpuIlosomnes,mifcramq; parentcm Saxeus, & tali dignus obire nccc^.HxCi nifi mentitur Calchas, monumenta laborisSunt longi, cuius fama perennis cat. Che dalle cofeMakgeuoli sacquifta T^meTerpetuo, ^ Jmmortale, EMBLEMA CXXXIL Al ^Kmi hauea dvn Vlatano commeffoLa Tafiera i fmi Vani; E benyfeìcrudo N 2 Dra- ^ 1^6 tAndrextyflciati 7)ragon yeduti non gli hauejìe toHo. Trangugiò queSio tutti i figli y e infieme Lafflitta Ma

RFWB9PX0–Ruined city gate in Silyon ancient city in Antalya province of Turkey.

RF2JHYDY6–Coleus scutellarioides with a natural background

RMR1AD6W–Mimosa Skipper, Cogia calchas, female on sunflower Helianthus sp.

. Emblemi. Dal latino nel vulgare italiano ridotti, contenenti il fiore et la sostanza de' più scelti scrittori & delle più celebri discipline dell'vniuerso, ripieni di ottimi consigli & saluteuoli documenti, per l'vso ciuile et morale della vita humana . Ex Emblemata.Ex arduis perpetuimi nomenEMBLEMA CXXXII. ^5. * REDIDERAT platani ramis Tua pignora palTcr,i Et bene, ni fseuo vifa dracone fbrent.utijt hic pullos omnes, miferamq; parentem Saxeus, Se tali dignus obire nece—».ec, nifi mentitili* Calchas, monumenta laboris Sunt longi, cuius fama perenriis eat. he dalle co/e Malageuolì s* acqui/la Stock Photo

RM2CPY53X–. Emblemi. Dal latino nel vulgare italiano ridotti, contenenti il fiore et la sostanza de' più scelti scrittori & delle più celebri discipline dell'vniuerso, ripieni di ottimi consigli & saluteuoli documenti, per l'vso ciuile et morale della vita humana . Ex Emblemata.Ex arduis perpetuimi nomenEMBLEMA CXXXII. ^5. * REDIDERAT platani ramis Tua pignora palTcr,i Et bene, ni fseuo vifa dracone fbrent.utijt hic pullos omnes, miferamq; parentem Saxeus, Se tali dignus obire nece—».ec, nifi mentitili* Calchas, monumenta laboris Sunt longi, cuius fama perenriis eat. he dalle co/e Malageuolì s* acqui/la

Rocky outcrop with scattered ruins of Silyon ancient city in Antalya province of Turkey. Stock Photo

RFWB9PX2–Rocky outcrop with scattered ruins of Silyon ancient city in Antalya province of Turkey.

RF2JHYCT0–Coleus scutellarioides with a natural background

RMR1AD6P–Mimosa Skipper, Cogia calchas, female on sunflower Helianthus sp.

RM2CPY52C–. Emblemi. Dal latino nel vulgare italiano ridotti, contenenti il fiore et la sostanza de' più scelti scrittori & delle più celebri discipline dell'vniuerso, ripieni di ottimi consigli & saluteuoli documenti, per l'vso ciuile et morale della vita humana . * REDIDERAT platani ramis Tua pignora palTcr,i Et bene, ni fseuo vifa dracone fbrent.utijt hic pullos omnes, miferamq; parentem Saxeus, Se tali dignus obire nece—».ec, nifi mentitili* Calchas, monumenta laboris Sunt longi, cuius fama perenriis eat. he dalle co/e Malageuolì s* acqui/la l$ome Terpetuo, cornerfo infaffo%Va degno di perir di mort