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1776 1846 Stock Photos and Images

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1776 1846 Stock Photos and Images

The Jockey Club or Newmarket Meeting [October 10, 1811], reprint Thomas Rowlandson A group of men gathers in a betting room, with two hunting dogs at left.. The Jockey Club or Newmarket Meeting. Thomas Rowlandson (British, London 1757–1827 London). [October 10, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W8J–The Jockey Club or Newmarket Meeting [October 10, 1811], reprint Thomas Rowlandson A group of men gathers in a betting room, with two hunting dogs at left.. The Jockey Club or Newmarket Meeting. Thomas Rowlandson (British, London 1757–1827 London). [October 10, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Peter Plumb's Diary May 20, 1810 Thomas Rowlandson Later state with date erased.A plump couple sleep in armchairs by the fireplace, while a young woman and man kiss by a piano at right.. Peter Plumb's Diary. Thomas Rowlandson (British, London 1757–1827 London). May 20, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W83–Peter Plumb's Diary May 20, 1810 Thomas Rowlandson Later state with date erased.A plump couple sleep in armchairs by the fireplace, while a young woman and man kiss by a piano at right.. Peter Plumb's Diary. Thomas Rowlandson (British, London 1757–1827 London). May 20, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Traveller Refreshed in a Stagnant Pool, after the Fatigues of a Dusty Day's Journey February 1, 1809 Thomas Rowlandson. Traveller Refreshed in a Stagnant Pool, after the Fatigues of a Dusty Day's Journey. Thomas Rowlandson (British, London 1757–1827 London). February 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HGYMN9–Traveller Refreshed in a Stagnant Pool, after the Fatigues of a Dusty Day's Journey February 1, 1809 Thomas Rowlandson. Traveller Refreshed in a Stagnant Pool, after the Fatigues of a Dusty Day's Journey. Thomas Rowlandson (British, London 1757–1827 London). February 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Chelsea Parade or a Croaking Member Surveying The Inside Outside and Backside of Mrs Clarke's Premises March 4, 1809 Thomas Rowlandson. Chelsea Parade or a Croaking Member Surveying The Inside Outside and Backside of Mrs Clarke's Premises. Thomas Rowlandson (British, London 1757–1827 London). March 4, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HGYMNJ–Chelsea Parade or a Croaking Member Surveying The Inside Outside and Backside of Mrs Clarke's Premises March 4, 1809 Thomas Rowlandson. Chelsea Parade or a Croaking Member Surveying The Inside Outside and Backside of Mrs Clarke's Premises. Thomas Rowlandson (British, London 1757–1827 London). March 4, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Sports of a Country Fair, Part the Third October 5, 1810 Thomas Rowlandson A tiger bursts through the canvas wall of a theatrical tent, and the audience flees in terror.. Sports of a Country Fair, Part the Third. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TX4–Sports of a Country Fair, Part the Third October 5, 1810 Thomas Rowlandson A tiger bursts through the canvas wall of a theatrical tent, and the audience flees in terror.. Sports of a Country Fair, Part the Third. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Dram-a-tic Demireps at their Morning Rehearsal September 30, 1810 Thomas Rowlandson Four women, still in their bedclothes, drinking in a messy room.. Dram-a-tic Demireps at their Morning Rehearsal. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). September 30, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GH1–Dram-a-tic Demireps at their Morning Rehearsal September 30, 1810 Thomas Rowlandson Four women, still in their bedclothes, drinking in a messy room.. Dram-a-tic Demireps at their Morning Rehearsal. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). September 30, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Sports of a Country Fair, Part the Third October 5, 1810 Thomas Rowlandson A tiger bursts through the canvas wall of a theatrical tent, and the audience flees in terror.. Sports of a Country Fair, Part the Third. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TWR–Sports of a Country Fair, Part the Third October 5, 1810 Thomas Rowlandson A tiger bursts through the canvas wall of a theatrical tent, and the audience flees in terror.. Sports of a Country Fair, Part the Third. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Joanna Southcott the Prophetess Excommunicating the Bishops September 20, 1814 Thomas Rowlandson Joanna Southcott and William Tozer drive out a crowd of hefty bishops, who flee to the right in wild confusion.. Joanna Southcott the Prophetess Excommunicating the Bishops. Thomas Rowlandson (British, London 1757–1827 London). September 20, 1814. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0K8F–Joanna Southcott the Prophetess Excommunicating the Bishops September 20, 1814 Thomas Rowlandson Joanna Southcott and William Tozer drive out a crowd of hefty bishops, who flee to the right in wild confusion.. Joanna Southcott the Prophetess Excommunicating the Bishops. Thomas Rowlandson (British, London 1757–1827 London). September 20, 1814. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Six Classes of the Noble and Useful Animal a Horse October 10, 1811 Thomas Rowlandson Six images: The Race Horse, The War Horse, The Shooting Pony, The Hunter, The Gig Horse, and The Draught Horse.. Six Classes of the Noble and Useful Animal a Horse. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0168–Six Classes of the Noble and Useful Animal a Horse October 10, 1811 Thomas Rowlandson Six images: The Race Horse, The War Horse, The Shooting Pony, The Hunter, The Gig Horse, and The Draught Horse.. Six Classes of the Noble and Useful Animal a Horse. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Catching an Elephant March 1, 1812 Thomas Rowlandson Two young courtesans coax an obese old man towards the door of a bagnio at right. One, at right, takes him by the wrist and throws back her cloak. The other takes him by the shoulders and chin.. Catching an Elephant. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1812. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0PY0–Catching an Elephant March 1, 1812 Thomas Rowlandson Two young courtesans coax an obese old man towards the door of a bagnio at right. One, at right, takes him by the wrist and throws back her cloak. The other takes him by the shoulders and chin.. Catching an Elephant. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1812. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Six Classes of the Noble and Useful Animal a Horse October 10, 1811 Thomas Rowlandson Six images: The Race Horse, The War Horse, The Shooting Pony, The Hunter, The Gig Horse, and The Draught Horse.. Six Classes of the Noble and Useful Animal a Horse. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H21–Six Classes of the Noble and Useful Animal a Horse October 10, 1811 Thomas Rowlandson Six images: The Race Horse, The War Horse, The Shooting Pony, The Hunter, The Gig Horse, and The Draught Horse.. Six Classes of the Noble and Useful Animal a Horse. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Distillers Looking into Their Own Business October 10, 1811 Thomas Rowlandson A repulsive scene with three old men with grotesque and hideously carbuncled faces looking into a cask of 'Double Rectified Spirits,' while their noses and mouths stream copiously.. Distillers Looking into Their Own Business. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Portfolio Covers Stock Photo
RM2HH0GYN–Distillers Looking into Their Own Business October 10, 1811 Thomas Rowlandson A repulsive scene with three old men with grotesque and hideously carbuncled faces looking into a cask of 'Double Rectified Spirits,' while their noses and mouths stream copiously.. Distillers Looking into Their Own Business. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Portfolio Covers
Rural Sports, Smock Racing [October 1, 1811], reprint Thomas Rowlandson A crowd watches three country girls who race barefoot and scantily clad. A fourth girl has been tripped by a dog at left.. Rural Sports, Smock Racing. Thomas Rowlandson (British, London 1757–1827 London). [October 1, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W73–Rural Sports, Smock Racing [October 1, 1811], reprint Thomas Rowlandson A crowd watches three country girls who race barefoot and scantily clad. A fourth girl has been tripped by a dog at left.. Rural Sports, Smock Racing. Thomas Rowlandson (British, London 1757–1827 London). [October 1, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports, Smock Racing [October 1, 1811], reprint Thomas Rowlandson A crowd watches three country girls who race barefoot and scantily clad. A fourth girl has been tripped by a dog at left.. Rural Sports, Smock Racing. Thomas Rowlandson (British, London 1757–1827 London). [October 1, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W8C–Rural Sports, Smock Racing [October 1, 1811], reprint Thomas Rowlandson A crowd watches three country girls who race barefoot and scantily clad. A fourth girl has been tripped by a dog at left.. Rural Sports, Smock Racing. Thomas Rowlandson (British, London 1757–1827 London). [October 1, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports: Balloon Hunting October 25, 1811 Thomas Rowlandson Three women fall out of a cart as it goes up a hill. A man at left tries to hold the bridle of the kicking horse and loses his hat and wig.. Rural Sports: Balloon Hunting. Thomas Rowlandson (British, London 1757–1827 London). October 25, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H07–Rural Sports: Balloon Hunting October 25, 1811 Thomas Rowlandson Three women fall out of a cart as it goes up a hill. A man at left tries to hold the bridle of the kicking horse and loses his hat and wig.. Rural Sports: Balloon Hunting. Thomas Rowlandson (British, London 1757–1827 London). October 25, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Baron Jumps into the Sea with a Turkish piece of Ordnance [1809], reissued 1811 Thomas Rowlandson The Baron jumps into the sea with a cannon at center, with Turks pursuing him at left.. The Baron Jumps into the Sea with a Turkish piece of Ordnance. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G70–The Baron Jumps into the Sea with a Turkish piece of Ordnance [1809], reissued 1811 Thomas Rowlandson The Baron jumps into the sea with a cannon at center, with Turks pursuing him at left.. The Baron Jumps into the Sea with a Turkish piece of Ordnance. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints
The Hopes of the Family, or Miss Marrowfat at Home for the Holidays 1809–13 Thomas Rowlandson Mrs. Marrowfat is seated in an armchair at center, enjoying the music being played next to her. A butcher is behind her at right selling cuts of meat.. The Hopes of the Family, or Miss Marrowfat at Home for the Holidays. Thomas Rowlandson (British, London 1757–1827 London). 1809–13. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G1P–The Hopes of the Family, or Miss Marrowfat at Home for the Holidays 1809–13 Thomas Rowlandson Mrs. Marrowfat is seated in an armchair at center, enjoying the music being played next to her. A butcher is behind her at right selling cuts of meat.. The Hopes of the Family, or Miss Marrowfat at Home for the Holidays. Thomas Rowlandson (British, London 1757–1827 London). 1809–13. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Catching an Elephant [March 1, 1812], reprint Thomas Rowlandson Two young courtesans coax an obese old man towards the door of a bagnio at right. One, at right, takes him by the wrist and throws back her cloak. The other takes him by the shoulders and chin.. Catching an Elephant. Thomas Rowlandson (British, London 1757–1827 London). [March 1, 1812], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0PW1–Catching an Elephant [March 1, 1812], reprint Thomas Rowlandson Two young courtesans coax an obese old man towards the door of a bagnio at right. One, at right, takes him by the wrist and throws back her cloak. The other takes him by the shoulders and chin.. Catching an Elephant. Thomas Rowlandson (British, London 1757–1827 London). [March 1, 1812], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The True Method of Sitting a Horse, Mathematically Delineated 1809 Thomas Rowlandson A pair of compasses atop a telescope at top. A man atop a horse below, with his legs extended like those of the compasses.. The True Method of Sitting a Horse, Mathematically Delineated. 'Annals of Sporting'. Thomas Rowlandson (British, London 1757–1827 London). 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G6J–The True Method of Sitting a Horse, Mathematically Delineated 1809 Thomas Rowlandson A pair of compasses atop a telescope at top. A man atop a horse below, with his legs extended like those of the compasses.. The True Method of Sitting a Horse, Mathematically Delineated. 'Annals of Sporting'. Thomas Rowlandson (British, London 1757–1827 London). 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Sports of a Country Fair, Part the First October 5, 1810 Thomas Rowlandson A horse has broken loose from a two-wheeled cart, which is packed with visitors to the fair, who have been thrown onto the ground. The fair booths are in the background at right.. Sports of a Country Fair, Part the First. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TY0–Sports of a Country Fair, Part the First October 5, 1810 Thomas Rowlandson A horse has broken loose from a two-wheeled cart, which is packed with visitors to the fair, who have been thrown onto the ground. The fair booths are in the background at right.. Sports of a Country Fair, Part the First. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Etching. Thomas Tegg (British, 1776–1846). Prints
The Cobbler's Cure for a Scolding Wife 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Cobbler's Cure for a Scolding Wife. Thomas Rowlandson (British, London 1757–1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0JCE–The Cobbler's Cure for a Scolding Wife 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Cobbler's Cure for a Scolding Wife. Thomas Rowlandson (British, London 1757–1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Lump of Innocence September 30, 1809 Thomas Rowlandson A plump woman seated holding a glass of cognac, with the bottle on the table at left. Above her is inscribed 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!'. A Lump of Innocence. Thomas Rowlandson (British, London 1757–1827 London). September 30, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TPE–A Lump of Innocence September 30, 1809 Thomas Rowlandson A plump woman seated holding a glass of cognac, with the bottle on the table at left. Above her is inscribed 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!'. A Lump of Innocence. Thomas Rowlandson (British, London 1757–1827 London). September 30, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Hitt at Backgammon November 9, 1810 Thomas Rowlandson A man and woman play backgammon. The woman at right is frantic with rage, and leans towards the man to seize his wig. Two candlesticks are overturned on the table and a cat meows at the back of her chair.. A Hitt at Backgammon. Thomas Rowlandson (British, London 1757–1827 London). November 9, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W2X–A Hitt at Backgammon November 9, 1810 Thomas Rowlandson A man and woman play backgammon. The woman at right is frantic with rage, and leans towards the man to seize his wig. Two candlesticks are overturned on the table and a cat meows at the back of her chair.. A Hitt at Backgammon. Thomas Rowlandson (British, London 1757–1827 London). November 9, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Cobbler's Cure for a Scolding Wife 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Cobbler's Cure for a Scolding Wife. Thomas Rowlandson (British, London 1757–1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH01AC–The Cobbler's Cure for a Scolding Wife 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Cobbler's Cure for a Scolding Wife. Thomas Rowlandson (British, London 1757–1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Sign of the Four Alls 1810 Thomas Rowlandson Four figures, The King, The Bishop, The Soldier, and Farmer Bull, stand in niches divided by columns. Across the top, corresponding to each figure below, are the phrases, 'I Reign Over All,' 'I Pray For All,' 'I Fight For All,' and 'But I Pay For All.'. The Sign of the Four Alls. Thomas Rowlandson (British, London 1757–1827 London). 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints Stock Photo
RM2HH0GGC–The Sign of the Four Alls 1810 Thomas Rowlandson Four figures, The King, The Bishop, The Soldier, and Farmer Bull, stand in niches divided by columns. Across the top, corresponding to each figure below, are the phrases, 'I Reign Over All,' 'I Pray For All,' 'I Fight For All,' and 'But I Pay For All.'. The Sign of the Four Alls. Thomas Rowlandson (British, London 1757–1827 London). 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints
The Bull and Mouth 1808–09 Thomas Rowlandson At left there is an elderly overweight man sitting an an armchair. His wife stands behind him and motions to signify horns above his head, while she slips a letter into the hand of a handsome military officer standing in the doorway at right.. The Bull and Mouth. Thomas Rowlandson (British, London 1757–1827 London). 1808–09. Hand-colored etching; reprint. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH01C5–The Bull and Mouth 1808–09 Thomas Rowlandson At left there is an elderly overweight man sitting an an armchair. His wife stands behind him and motions to signify horns above his head, while she slips a letter into the hand of a handsome military officer standing in the doorway at right.. The Bull and Mouth. Thomas Rowlandson (British, London 1757–1827 London). 1808–09. Hand-colored etching; reprint. Thomas Tegg (British, 1776–1846). Prints
Breaking Up of the Blue Stocking Club March 1, 1815 Thomas Rowlandson Five pairs of women brawl over a tea table at center. Teacups have fallen to the floor and broken while the women are in combat. Three cats add to the uproar.. Breaking Up of the Blue Stocking Club. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1815. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0PW6–Breaking Up of the Blue Stocking Club March 1, 1815 Thomas Rowlandson Five pairs of women brawl over a tea table at center. Teacups have fallen to the floor and broken while the women are in combat. Three cats add to the uproar.. Breaking Up of the Blue Stocking Club. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1815. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports or a Cricket Match Extraordinary October 10, 1811 Thomas Rowlandson Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick.. Rural Sports or a Cricket Match Extraordinary. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H03–Rural Sports or a Cricket Match Extraordinary October 10, 1811 Thomas Rowlandson Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick.. Rural Sports or a Cricket Match Extraordinary. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Bull and Mouth 1808–09 Thomas Rowlandson At left there is an elderly overweight man sitting an an armchair. His wife stands behind him and motions to signify horns above his head, while she slips a letter into the hand of a handsome military officer standing in the doorway at right.. The Bull and Mouth. Thomas Rowlandson (British, London 1757–1827 London). 1808–09. Hand-colored etching; reprint. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G21–The Bull and Mouth 1808–09 Thomas Rowlandson At left there is an elderly overweight man sitting an an armchair. His wife stands behind him and motions to signify horns above his head, while she slips a letter into the hand of a handsome military officer standing in the doorway at right.. The Bull and Mouth. Thomas Rowlandson (British, London 1757–1827 London). 1808–09. Hand-colored etching; reprint. Thomas Tegg (British, 1776–1846). Prints
Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island April 12, 1814 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island. Thomas Rowlandson (British, London 1757–1827 London). April 12, 1814. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R1A–Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island April 12, 1814 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island. Thomas Rowlandson (British, London 1757–1827 London). April 12, 1814. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Sagacious Buck or Effects of Water Proof 1811? Thomas Rowlandson A man holds his shirt out towards a woman who is washing clothes. He asks her why it is still dirty and mentions that he had it waterproofed. The woman replies that she couldn't get the dirt out because it is waterproofed.. The Sagacious Buck or Effects of Water Proof. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GRN–The Sagacious Buck or Effects of Water Proof 1811? Thomas Rowlandson A man holds his shirt out towards a woman who is washing clothes. He asks her why it is still dirty and mentions that he had it waterproofed. The woman replies that she couldn't get the dirt out because it is waterproofed.. The Sagacious Buck or Effects of Water Proof. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports, or an Old Mole Catcher in Full Scent 1811 Thomas Rowlandson An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.. Rural Sports, or an Old Mole Catcher in Full Scent. Thomas Rowlandson (British, London 1757–1827 London). 1811. Etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W72–Rural Sports, or an Old Mole Catcher in Full Scent 1811 Thomas Rowlandson An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.. Rural Sports, or an Old Mole Catcher in Full Scent. Thomas Rowlandson (British, London 1757–1827 London). 1811. Etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports. – Buck Hunting 1811? Thomas Rowlandson A young couple embracing in a small house by a stream with a sign that reads, 'Man Traps.' An old man in a hat gapes at them from across the river at left.. Rural Sports. – Buck Hunting. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints Stock Photo
RM2HH0GRT–Rural Sports. – Buck Hunting 1811? Thomas Rowlandson A young couple embracing in a small house by a stream with a sign that reads, 'Man Traps.' An old man in a hat gapes at them from across the river at left.. Rural Sports. – Buck Hunting. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints
Sports of a Country Fair, Part the First October 5, 1810 Thomas Rowlandson A horse has broken loose from a two-wheeled cart, which is packed with visitors to the fair, who have been thrown onto the ground. The fair booths are in the background at right.. Sports of a Country Fair, Part the First. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TY4–Sports of a Country Fair, Part the First October 5, 1810 Thomas Rowlandson A horse has broken loose from a two-wheeled cart, which is packed with visitors to the fair, who have been thrown onto the ground. The fair booths are in the background at right.. Sports of a Country Fair, Part the First. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Etching. Thomas Tegg (British, 1776–1846). Prints
Breaking Up of the Blue Stocking Club March 1, 1815 Thomas Rowlandson Five pairs of women brawl over a tea table at center. Teacups have fallen to the floor and broken while the women are in combat. Three cats add to the uproar.. Breaking Up of the Blue Stocking Club. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1815. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0PWR–Breaking Up of the Blue Stocking Club March 1, 1815 Thomas Rowlandson Five pairs of women brawl over a tea table at center. Teacups have fallen to the floor and broken while the women are in combat. Three cats add to the uproar.. Breaking Up of the Blue Stocking Club. Thomas Rowlandson (British, London 1757–1827 London). March 1, 1815. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island April 12, 1814 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island. Thomas Rowlandson (British, London 1757–1827 London). April 12, 1814. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R26–Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island April 12, 1814 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. Bloody Boney the Carcass Butcher Left of Trade and Retiring to Scarecrow Island. Thomas Rowlandson (British, London 1757–1827 London). April 12, 1814. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Dr. Cassock, F.R.S., Inventor of the Noble Puzzle for Tumble Down Horses May 4, 1808 Thomas Rowlandson. Dr. Cassock, F.R.S., Inventor of the Noble Puzzle for Tumble Down Horses. Academy for Grown Horsemen, and Annals of Horsemanship. After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland). May 4, 1808. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HGYFT0–Dr. Cassock, F.R.S., Inventor of the Noble Puzzle for Tumble Down Horses May 4, 1808 Thomas Rowlandson. Dr. Cassock, F.R.S., Inventor of the Noble Puzzle for Tumble Down Horses. Academy for Grown Horsemen, and Annals of Horsemanship. After Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland). May 4, 1808. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Hopes of the Family, or Miss Marrowfat at Home for the Holidays August 10, 1809 Thomas Rowlandson Mrs. Marrowfat is seated in an armchair at center, enjoying the music being played next to her. A butcher is behind her at right selling cuts of meat.. The Hopes of the Family, or Miss Marrowfat at Home for the Holidays. Thomas Rowlandson (British, London 1757–1827 London). August 10, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G25–The Hopes of the Family, or Miss Marrowfat at Home for the Holidays August 10, 1809 Thomas Rowlandson Mrs. Marrowfat is seated in an armchair at center, enjoying the music being played next to her. A butcher is behind her at right selling cuts of meat.. The Hopes of the Family, or Miss Marrowfat at Home for the Holidays. Thomas Rowlandson (British, London 1757–1827 London). August 10, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Refinement of Language October 1, 1802 Thomas Rowlandson A design in six squares, arranged in two rows, with six different men performing jobs: A Timber Merchant, A Turkey Merchant, A Man of Letters, A Banker, A Merchant Taylor, and Master of the Mint.. Refinement of Language. Thomas Rowlandson (British, London 1757–1827 London). October 1, 1802. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TGF–Refinement of Language October 1, 1802 Thomas Rowlandson A design in six squares, arranged in two rows, with six different men performing jobs: A Timber Merchant, A Turkey Merchant, A Man of Letters, A Banker, A Merchant Taylor, and Master of the Mint.. Refinement of Language. Thomas Rowlandson (British, London 1757–1827 London). October 1, 1802. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Picture of Misery April 10, 1811 Thomas Rowlandson An old miser sits between the fireplace and a table, snuffing a candle. He ignores a man seated opposite him, who waits in agony. On the table is a large book, 'Table of Interest.'. A Picture of Misery. Thomas Rowlandson (British, London 1757–1827 London). April 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TWN–A Picture of Misery April 10, 1811 Thomas Rowlandson An old miser sits between the fireplace and a table, snuffing a candle. He ignores a man seated opposite him, who waits in agony. On the table is a large book, 'Table of Interest.'. A Picture of Misery. Thomas Rowlandson (British, London 1757–1827 London). April 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Refinement of Language October 1, 1802 Thomas Rowlandson A design in six squares, arranged in two rows, with six different men performing jobs: A Timber Merchant, A Turkey Merchant, A Man of Letters, A Banker, A Merchant Taylor, and Master of the Mint.. Refinement of Language. Thomas Rowlandson (British, London 1757–1827 London). October 1, 1802. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TK0–Refinement of Language October 1, 1802 Thomas Rowlandson A design in six squares, arranged in two rows, with six different men performing jobs: A Timber Merchant, A Turkey Merchant, A Man of Letters, A Banker, A Merchant Taylor, and Master of the Mint.. Refinement of Language. Thomas Rowlandson (British, London 1757–1827 London). October 1, 1802. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Pilgrimage from Surry to Gloucester Place or the Bishop is an Extacty February 27, 1809 Thomas Rowlandson The Duke of York in pilgrim’s robe, rushing from his country home at Oatlands, Surrey, to Mrs Clarke and Miss Taylor in Gloucester Place, Chelsea. A Pilgrimage from Surry to Gloucester Place or the Bishop is an Extacty. Thomas Rowlandson (British, London 1757–1827 London). February 27, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH01EG–A Pilgrimage from Surry to Gloucester Place or the Bishop is an Extacty February 27, 1809 Thomas Rowlandson The Duke of York in pilgrim’s robe, rushing from his country home at Oatlands, Surrey, to Mrs Clarke and Miss Taylor in Gloucester Place, Chelsea. A Pilgrimage from Surry to Gloucester Place or the Bishop is an Extacty. Thomas Rowlandson (British, London 1757–1827 London). February 27, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports, or How to Show Off a Well Shaped Leg October 1811 Thomas Rowlandson A young woman swings high above the heads of the spectators, seated on a rope swing hung between two trees, while various spectators watch.. Rural Sports, or How to Show Off a Well Shaped Leg. Thomas Rowlandson (British, London 1757–1827 London). October 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H1B–Rural Sports, or How to Show Off a Well Shaped Leg October 1811 Thomas Rowlandson A young woman swings high above the heads of the spectators, seated on a rope swing hung between two trees, while various spectators watch.. Rural Sports, or How to Show Off a Well Shaped Leg. Thomas Rowlandson (British, London 1757–1827 London). October 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Last Gasp, or Toadstools Mistaken for Mushrooms September 1, 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Last Gasp, or Toadstools Mistaken for Mushrooms. Thomas Rowlandson (British, London 1757–1827 London). September 1, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0JCP–The Last Gasp, or Toadstools Mistaken for Mushrooms September 1, 1813 Thomas Rowlandson The cobbler leans over his wife who is tied to a chair with her wrists bound. With his awl between his teeth he pulls at the threads with which he is stitching up her mouth. Another woman holds a candle over them at right.. The Last Gasp, or Toadstools Mistaken for Mushrooms. Thomas Rowlandson (British, London 1757–1827 London). September 1, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Last Jig or Adieu to Old England January 20, 1818 Thomas Rowlandson A young woman dances a jig with a man wearing an apron in a tavern cellar. At left, a sailor plays the violin. Three amorous couples embrace in the background.. The Last Jig or Adieu to Old England. Thomas Rowlandson (British, London 1757–1827 London). January 20, 1818. Etching and stipple. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R1G–The Last Jig or Adieu to Old England January 20, 1818 Thomas Rowlandson A young woman dances a jig with a man wearing an apron in a tavern cellar. At left, a sailor plays the violin. Three amorous couples embrace in the background.. The Last Jig or Adieu to Old England. Thomas Rowlandson (British, London 1757–1827 London). January 20, 1818. Etching and stipple. Thomas Tegg (British, 1776–1846). Prints
A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess August 29, 1809 Thomas Rowlandson Eight figures arranged in two rows, each with a caption.. A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess. Thomas Rowlandson (British, London 1757–1827 London). August 29, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TX1–A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess August 29, 1809 Thomas Rowlandson Eight figures arranged in two rows, each with a caption.. A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess. Thomas Rowlandson (British, London 1757–1827 London). August 29, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Off She Goes 1812 Thomas Rowlandson A portly woman falls from a ladder, knocking down her lover, who lies on his back beneath her. Both scream angrily, and a dog barks at them. The ladder leans against a window from which the unhappy husband looks out, holding a candle.. Off She Goes. Thomas Rowlandson (British, London 1757–1827 London). 1812. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH01BT–Off She Goes 1812 Thomas Rowlandson A portly woman falls from a ladder, knocking down her lover, who lies on his back beneath her. Both scream angrily, and a dog barks at them. The ladder leans against a window from which the unhappy husband looks out, holding a candle.. Off She Goes. Thomas Rowlandson (British, London 1757–1827 London). 1812. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
She Stoops to Conquer March 10, 1811 Thomas Rowlandson A pretty young woman sits closely to a prison guard, putting her hand on his face, while a handsome youth is behind bars at right. A portly man approaches them with a frothing glass.. She Stoops to Conquer. Thomas Rowlandson (British, London 1757–1827 London). March 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H1K–She Stoops to Conquer March 10, 1811 Thomas Rowlandson A pretty young woman sits closely to a prison guard, putting her hand on his face, while a handsome youth is behind bars at right. A portly man approaches them with a frothing glass.. She Stoops to Conquer. Thomas Rowlandson (British, London 1757–1827 London). March 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Off She Goes 1812 Thomas Rowlandson A portly woman falls from a ladder, knocking down her lover, who lies on his back beneath her. Both scream angrily, and a dog barks at them. The ladder leans against a window from which the unhappy husband looks out, holding a candle.. Off She Goes. Thomas Rowlandson (British, London 1757–1827 London). 1812. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0HBR–Off She Goes 1812 Thomas Rowlandson A portly woman falls from a ladder, knocking down her lover, who lies on his back beneath her. Both scream angrily, and a dog barks at them. The ladder leans against a window from which the unhappy husband looks out, holding a candle.. Off She Goes. Thomas Rowlandson (British, London 1757–1827 London). 1812. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Baron arrives at Ceylon, combats and conquers two extraordinary opponents [1809], reissued 1811 Thomas Rowlandson The baron is on the ground at right while a crocodile swallows a lion at left.. The Baron arrives at Ceylon, combats and conquers two extraordinary opponents. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G7T–The Baron arrives at Ceylon, combats and conquers two extraordinary opponents [1809], reissued 1811 Thomas Rowlandson The baron is on the ground at right while a crocodile swallows a lion at left.. The Baron arrives at Ceylon, combats and conquers two extraordinary opponents. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints
The Last Jig or Adieu to Old England January 20, 1818 Thomas Rowlandson A young woman dances a jig with a man wearing an apron in a tavern cellar. At left, a sailor plays the violin. Three amorous couples embrace in the background.. The Last Jig or Adieu to Old England. Thomas Rowlandson (British, London 1757–1827 London). January 20, 1818. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0KYM–The Last Jig or Adieu to Old England January 20, 1818 Thomas Rowlandson A young woman dances a jig with a man wearing an apron in a tavern cellar. At left, a sailor plays the violin. Three amorous couples embrace in the background.. The Last Jig or Adieu to Old England. Thomas Rowlandson (British, London 1757–1827 London). January 20, 1818. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess August 29, 1809 Thomas Rowlandson Eight figures arranged in two rows, each with a caption.. A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess. Thomas Rowlandson (British, London 1757–1827 London). August 29, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TWW–A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess August 29, 1809 Thomas Rowlandson Eight figures arranged in two rows, each with a caption.. A Plan for General Reform, Respectfully submitted to the attention of Members of Parliament, During the Summer Reccess. Thomas Rowlandson (British, London 1757–1827 London). August 29, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Mock Turtle; Puff Paste 1812? Thomas Rowlandson Two designs on one plate: at top, a couple touches tongues over a bowl, with two doves on a branch above. Below, a woman rolls dough while a man puts his arm around her and touches her chin.. Mock Turtle; Puff Paste. Thomas Rowlandson (British, London 1757–1827 London). 1812?. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TWT–Mock Turtle; Puff Paste 1812? Thomas Rowlandson Two designs on one plate: at top, a couple touches tongues over a bowl, with two doves on a branch above. Below, a woman rolls dough while a man puts his arm around her and touches her chin.. Mock Turtle; Puff Paste. Thomas Rowlandson (British, London 1757–1827 London). 1812?. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Lump of Innocence [September 30, 1809], reprint Thomas Rowlandson A plump woman seated holding a glass of cognac, with the bottle on the table at left. Above her is inscribed 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!'. A Lump of Innocence. Thomas Rowlandson (British, London 1757–1827 London). [September 30, 1809], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TNK–A Lump of Innocence [September 30, 1809], reprint Thomas Rowlandson A plump woman seated holding a glass of cognac, with the bottle on the table at left. Above her is inscribed 'Really Gentlemen if you gaze on me in this manner you will put me quite to the blush!'. A Lump of Innocence. Thomas Rowlandson (British, London 1757–1827 London). [September 30, 1809], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Paris Diligence 1810 Thomas Rowlandson A diligence coach full of people, led by four horses away from an inn. An old couple at left beg from the passengers, and sow with small pigs run alongside the coach. A crucifix is in the background center, where a group of nuns kneel in prayer.. Paris Diligence. Thomas Rowlandson (British, London 1757–1827 London). 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GDF–Paris Diligence 1810 Thomas Rowlandson A diligence coach full of people, led by four horses away from an inn. An old couple at left beg from the passengers, and sow with small pigs run alongside the coach. A crucifix is in the background center, where a group of nuns kneel in prayer.. Paris Diligence. Thomas Rowlandson (British, London 1757–1827 London). 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Ship, driven by a Whirlwind, a thousand leagues above the surface of the water [1809], reissued 1811 Thomas Rowlandson The Baron discovers the inhabitants of the moon at left, the ship in the sky at right.. The Ship, driven by a Whirlwind, a thousand leagues above the surface of the water. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G64–The Ship, driven by a Whirlwind, a thousand leagues above the surface of the water [1809], reissued 1811 Thomas Rowlandson The Baron discovers the inhabitants of the moon at left, the ship in the sky at right.. The Ship, driven by a Whirlwind, a thousand leagues above the surface of the water. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints
Rural Sports: Cat in a Bowl April 24, 1811 Thomas Rowlandson A distressed cat floats in a bowl at left. A woman tries to save the cat, but another lady restrains her. The other spectators watch excitedly.. Rural Sports: Cat in a Bowl. Thomas Rowlandson (British, London 1757–1827 London). April 24, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GRX–Rural Sports: Cat in a Bowl April 24, 1811 Thomas Rowlandson A distressed cat floats in a bowl at left. A woman tries to save the cat, but another lady restrains her. The other spectators watch excitedly.. Rural Sports: Cat in a Bowl. Thomas Rowlandson (British, London 1757–1827 London). April 24, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Sleepy Congregation February 12, 1811 Thomas Rowlandson A priest giving his sermon from the pulpit above to a congregation below, some of whom are soundly sleeping. A woman at right tilts her head downwards, unaware of a young man looking towards her at left.. A Sleepy Congregation. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GRW–A Sleepy Congregation February 12, 1811 Thomas Rowlandson A priest giving his sermon from the pulpit above to a congregation below, some of whom are soundly sleeping. A woman at right tilts her head downwards, unaware of a young man looking towards her at left.. A Sleepy Congregation. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Baron proves himself a good shot [1809], reissued 1811 Thomas Rowlandson The Baron discovers his horse stuck by his bridle to a church steeple. The Baron shoots the bridle, cutting it in two.. The Baron proves himself a good shot. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G6E–The Baron proves himself a good shot [1809], reissued 1811 Thomas Rowlandson The Baron discovers his horse stuck by his bridle to a church steeple. The Baron shoots the bridle, cutting it in two.. The Baron proves himself a good shot. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints
Rural Sports, or an Old Mole Catcher in Full Scent [1811], reprint Thomas Rowlandson An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.. Rural Sports, or an Old Mole Catcher in Full Scent. Thomas Rowlandson (British, London 1757–1827 London). [1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W94–Rural Sports, or an Old Mole Catcher in Full Scent [1811], reprint Thomas Rowlandson An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.. Rural Sports, or an Old Mole Catcher in Full Scent. Thomas Rowlandson (British, London 1757–1827 London). [1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Picture of Misery April 10, 1811 Thomas Rowlandson An old miser sits between the fireplace and a table, snuffing a candle. He ignores a man seated opposite him, who waits in agony. On the table is a large book, 'Table of Interest.'. A Picture of Misery. Thomas Rowlandson (British, London 1757–1827 London). April 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TWP–A Picture of Misery April 10, 1811 Thomas Rowlandson An old miser sits between the fireplace and a table, snuffing a candle. He ignores a man seated opposite him, who waits in agony. On the table is a large book, 'Table of Interest.'. A Picture of Misery. Thomas Rowlandson (British, London 1757–1827 London). April 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
College Pranks or Crabbed Fellows Taught to Caper on the Slack Rope January 28, 1811 Thomas Rowlandson Two groups of undergraduates in caps and gowns trip two parsons with a rope within a Gothic church.. College Pranks or Crabbed Fellows Taught to Caper on the Slack Rope. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). January 28, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GRC–College Pranks or Crabbed Fellows Taught to Caper on the Slack Rope January 28, 1811 Thomas Rowlandson Two groups of undergraduates in caps and gowns trip two parsons with a rope within a Gothic church.. College Pranks or Crabbed Fellows Taught to Caper on the Slack Rope. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). January 28, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Pastime in Portugal or a Visit to the Nunnerys April 1, 1811 Thomas Rowlandson Three young nuns stand behind an iron gate. One of them sells netted silk purses to a young British officer. The nun at center exchanges glances with the officer, while an elderly nun behind them at left glares at him.. Pastime in Portugal or a Visit to the Nunnerys. Thomas Rowlandson (British, London 1757–1827 London). April 1, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H01–Pastime in Portugal or a Visit to the Nunnerys April 1, 1811 Thomas Rowlandson Three young nuns stand behind an iron gate. One of them sells netted silk purses to a young British officer. The nun at center exchanges glances with the officer, while an elderly nun behind them at left glares at him.. Pastime in Portugal or a Visit to the Nunnerys. Thomas Rowlandson (British, London 1757–1827 London). April 1, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Nursing the Spawn of a Tyrant April 14, 1811 Thomas Rowlandson Marie Louise recoils from her infant son, seated in her lap, who threatens her with a dagger. Napoleon hides behind a curtain at right. A bishop at left raises a goblet inscribed 'Composing Draught' to the Empress.. Nursing the Spawn of a Tyrant. Thomas Rowlandson (British, London 1757–1827 London). April 14, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H0B–Nursing the Spawn of a Tyrant April 14, 1811 Thomas Rowlandson Marie Louise recoils from her infant son, seated in her lap, who threatens her with a dagger. Napoleon hides behind a curtain at right. A bishop at left raises a goblet inscribed 'Composing Draught' to the Empress.. Nursing the Spawn of a Tyrant. Thomas Rowlandson (British, London 1757–1827 London). April 14, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Modern Antiques 1811? Thomas Rowlandson Among a collection of Egyptian and classical antiques a young woman is embraced by an officer, who draws her into a mummy case. Also in the room is an elderly man with a monocle who inspects a sarcophagus. On the floor an open book reads: 'Loves of the Gods, embell'd with Cuts'. Modern Antiques. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Published by? Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GRK–Modern Antiques 1811? Thomas Rowlandson Among a collection of Egyptian and classical antiques a young woman is embraced by an officer, who draws her into a mummy case. Also in the room is an elderly man with a monocle who inspects a sarcophagus. On the floor an open book reads: 'Loves of the Gods, embell'd with Cuts'. Modern Antiques. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Published by? Thomas Tegg (British, 1776–1846). Prints
A Sale of English-Beauties in the East Indies [May 10, 1811], reprint Thomas Rowlandson A reduced copy after Gillray by Rowlandson, originally published in 1786. A group of English courtesans has just arrived in Calcutta and is being sold by an auctioneer at left.. A Sale of English-Beauties in the East Indies. Thomas Rowlandson (British, London 1757–1827 London). [May 10, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TX2–A Sale of English-Beauties in the East Indies [May 10, 1811], reprint Thomas Rowlandson A reduced copy after Gillray by Rowlandson, originally published in 1786. A group of English courtesans has just arrived in Calcutta and is being sold by an auctioneer at left.. A Sale of English-Beauties in the East Indies. Thomas Rowlandson (British, London 1757–1827 London). [May 10, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Mock Turtle; Puff Paste November 20, 1810 Thomas Rowlandson Two designs on one plate: at top, a couple touches tongues over a bowl, with two doves on a branch above. Below, a woman rolls dough while a man puts his arm around her and touches her chin.. Mock Turtle; Puff Paste. Thomas Rowlandson (British, London 1757–1827 London). November 20, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TX3–Mock Turtle; Puff Paste November 20, 1810 Thomas Rowlandson Two designs on one plate: at top, a couple touches tongues over a bowl, with two doves on a branch above. Below, a woman rolls dough while a man puts his arm around her and touches her chin.. Mock Turtle; Puff Paste. Thomas Rowlandson (British, London 1757–1827 London). November 20, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Modern Antiquities 1811? Thomas Rowlandson British Among a collection of Egyptian and classical antiques a young woman is embraced by an officer, who draws her into a mummy case. Also in the room is an elderly man with a monocle who inspects a sarcophagus. On the floor an open book reads: 'Loves of the Gods, embell'd with Cuts'. Modern Antiquities. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. (?) Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H08–Modern Antiquities 1811? Thomas Rowlandson British Among a collection of Egyptian and classical antiques a young woman is embraced by an officer, who draws her into a mummy case. Also in the room is an elderly man with a monocle who inspects a sarcophagus. On the floor an open book reads: 'Loves of the Gods, embell'd with Cuts'. Modern Antiquities. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. (?) Thomas Tegg (British, 1776–1846). Prints
A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark [May 5, 1810], reprint Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark. Thomas Rowlandson (British, London 1757–1827 London). [May 5, 1810], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TXA–A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark [May 5, 1810], reprint Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark. Thomas Rowlandson (British, London 1757–1827 London). [May 5, 1810], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Nursing the Spawn of a Tyrant April 14, 1811 Thomas Rowlandson Marie Louise recoils from her infant son, seated in her lap, who threatens her with a dagger. Napoleon hides behind a curtain at right. A bishop at left raises a goblet inscribed 'Composing Draught' to the Empress.. Nursing the Spawn of a Tyrant. Thomas Rowlandson (British, London 1757–1827 London). April 14, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH00TD–Nursing the Spawn of a Tyrant April 14, 1811 Thomas Rowlandson Marie Louise recoils from her infant son, seated in her lap, who threatens her with a dagger. Napoleon hides behind a curtain at right. A bishop at left raises a goblet inscribed 'Composing Draught' to the Empress.. Nursing the Spawn of a Tyrant. Thomas Rowlandson (British, London 1757–1827 London). April 14, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Modern Antiques 1811? Thomas Rowlandson Among a collection of Egyptian and classical antiques a young woman is embraced by an officer, who draws her into a mummy case. Also in the room is an elderly man with a monocle who inspects a sarcophagus. On the floor an open book reads: 'Loves of the Gods, embell'd with Cuts'. Modern Antiques. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Published by? Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H00–Modern Antiques 1811? Thomas Rowlandson Among a collection of Egyptian and classical antiques a young woman is embraced by an officer, who draws her into a mummy case. Also in the room is an elderly man with a monocle who inspects a sarcophagus. On the floor an open book reads: 'Loves of the Gods, embell'd with Cuts'. Modern Antiques. Thomas Rowlandson (British, London 1757–1827 London). 1811?. Hand-colored etching. Published by? Thomas Tegg (British, 1776–1846). Prints
Rural Sports or a Cricket Match Extraordinary October 10, 1811 Thomas Rowlandson Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick.Tegg's address is erased in this state.. Rural Sports or a Cricket Match Extraordinary. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GR8–Rural Sports or a Cricket Match Extraordinary October 10, 1811 Thomas Rowlandson Women play cricket on a field at center, while spectators watch. Two girls seated at right record the runs by cutting notches into a stick.Tegg's address is erased in this state.. Rural Sports or a Cricket Match Extraordinary. Thomas Rowlandson (British, London 1757–1827 London). October 10, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Sleepy Congregation February 12, 1811 Thomas Rowlandson A priest giving his sermon from the pulpit above to a congregation below, some of whom are soundly sleeping. A woman at right tilts her head downwards, unaware of a young man looking towards her at left.The date is erased in this state.. A Sleepy Congregation. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GRM–A Sleepy Congregation February 12, 1811 Thomas Rowlandson A priest giving his sermon from the pulpit above to a congregation below, some of whom are soundly sleeping. A woman at right tilts her head downwards, unaware of a young man looking towards her at left.The date is erased in this state.. A Sleepy Congregation. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Rural Sports, or an Old Mole Catcher in Full Scent August 31, 1811 Thomas Rowlandson An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.. Rural Sports, or an Old Mole Catcher in Full Scent. Thomas Rowlandson (British, London 1757–1827 London). August 31, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0H0D–Rural Sports, or an Old Mole Catcher in Full Scent August 31, 1811 Thomas Rowlandson An elderly man on a horse rides in a hilly landscape with two dogs before him, and approaches a girl seated beneath a tree at right.. Rural Sports, or an Old Mole Catcher in Full Scent. Thomas Rowlandson (British, London 1757–1827 London). August 31, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Tegg's Complete Collection of Caricatures, Relative to Mrs. Clarke and the Circumstances Arising from the Investigation of the Conduct of His Royal Highness the Duke of York Before the House of Commons March 27, 1809 Thomas Rowlandson British. Tegg's Complete Collection of Caricatures, Relative to Mrs. Clarke and the Circumstances Arising from the Investigation of the Conduct of His Royal Highness the Duke of York Before the House of Commons. Thomas Rowlandson (British, London 1757–1827 London). March 27, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HGYMHD–Tegg's Complete Collection of Caricatures, Relative to Mrs. Clarke and the Circumstances Arising from the Investigation of the Conduct of His Royal Highness the Duke of York Before the House of Commons March 27, 1809 Thomas Rowlandson British. Tegg's Complete Collection of Caricatures, Relative to Mrs. Clarke and the Circumstances Arising from the Investigation of the Conduct of His Royal Highness the Duke of York Before the House of Commons. Thomas Rowlandson (British, London 1757–1827 London). March 27, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Sale of English-Beauties in the East Indies [May 10, 1811], reprint Thomas Rowlandson A reduced copy after Gillray by Rowlandson, originally published in 1786. A group of English courtesans has just arrived in Calcutta and is being sold by an auctioneer at left.. A Sale of English-Beauties in the East Indies. Thomas Rowlandson (British, London 1757–1827 London). [May 10, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TXC–A Sale of English-Beauties in the East Indies [May 10, 1811], reprint Thomas Rowlandson A reduced copy after Gillray by Rowlandson, originally published in 1786. A group of English courtesans has just arrived in Calcutta and is being sold by an auctioneer at left.. A Sale of English-Beauties in the East Indies. Thomas Rowlandson (British, London 1757–1827 London). [May 10, 1811], reprint. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Rabbit Merchant 1810? Thomas Rowlandson A man sells rabbits at the front door of a home at right. An old woman sniffs one of the rabbits, and says, 'Sweet indeed why it smells Quite Strong.' The merchant answers: 'Yes Ma'am and so would you were you held in the same position.' A dog bites at the rabbits behind the man's back at left.. The Rabbit Merchant. Thomas Rowlandson (British, London 1757–1827 London). 1810?. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints Stock Photo
RM2HH0GGP–The Rabbit Merchant 1810? Thomas Rowlandson A man sells rabbits at the front door of a home at right. An old woman sniffs one of the rabbits, and says, 'Sweet indeed why it smells Quite Strong.' The merchant answers: 'Yes Ma'am and so would you were you held in the same position.' A dog bites at the rabbits behind the man's back at left.. The Rabbit Merchant. Thomas Rowlandson (British, London 1757–1827 London). 1810?. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints
A Midwife Going to a Labour February 12, 1811 Thomas Rowlandson A portly elderly woman walks against strong wind and rain, holding a lantern and a bundle. A watchman is behind her at left, asleep at his post, and a chimney sweep is walking against the weather at right.. A Midwife Going to a Labour. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GR7–A Midwife Going to a Labour February 12, 1811 Thomas Rowlandson A portly elderly woman walks against strong wind and rain, holding a lantern and a bundle. A watchman is behind her at left, asleep at his post, and a chimney sweep is walking against the weather at right.. A Midwife Going to a Labour. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Procession of the Cod Company from St. Giles's to Billingsgate September 18, 1810 Thomas Rowlandson Seven hefty women approach a pier with baskets on their heads, two of them smoking pipes. An eighth woman sits at left, also smoking a pipe, with baskets of cod and lobsters next to her.. Procession of the Cod Company from St. Giles's to Billingsgate. Thomas Rowlandson (British, London 1757–1827 London). September 18, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GGG–Procession of the Cod Company from St. Giles's to Billingsgate September 18, 1810 Thomas Rowlandson Seven hefty women approach a pier with baskets on their heads, two of them smoking pipes. An eighth woman sits at left, also smoking a pipe, with baskets of cod and lobsters next to her.. Procession of the Cod Company from St. Giles's to Billingsgate. Thomas Rowlandson (British, London 1757–1827 London). September 18, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Portrait of Caleb Quizem, Esq. 1809 Thomas Rowlandson The author, Caleb Quizem, is likely a pseudonym for George Moutard Woodward. He sits in an armchair, looking at the viewer through an eyeglass. Two books, 'Annals of Horsemanship' and 'Tristam Shandy' are on the table next to him, and a portrait of 'Geoffry Gambado' is on the wall at right.. Portrait of Caleb Quizem, Esq.. 'Annals of Sporting'. Thomas Rowlandson (British, London 1757–1827 London). 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G6G–Portrait of Caleb Quizem, Esq. 1809 Thomas Rowlandson The author, Caleb Quizem, is likely a pseudonym for George Moutard Woodward. He sits in an armchair, looking at the viewer through an eyeglass. Two books, 'Annals of Horsemanship' and 'Tristam Shandy' are on the table next to him, and a portrait of 'Geoffry Gambado' is on the wall at right.. Portrait of Caleb Quizem, Esq.. 'Annals of Sporting'. Thomas Rowlandson (British, London 1757–1827 London). 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Midwife Going to a Labour February 12, 1811 Thomas Rowlandson A portly elderly woman walks against strong wind and rain, holding a lantern and a bundle. A watchman is behind her at left, asleep at his post, and a chimney sweep is walking against the weather at right.. A Midwife Going to a Labour. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH01CM–A Midwife Going to a Labour February 12, 1811 Thomas Rowlandson A portly elderly woman walks against strong wind and rain, holding a lantern and a bundle. A watchman is behind her at left, asleep at his post, and a chimney sweep is walking against the weather at right.. A Midwife Going to a Labour. 'Tegg's Caricatures'. Thomas Rowlandson (British, London 1757–1827 London). February 12, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark May 5, 1810 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark. Thomas Rowlandson (British, London 1757–1827 London). May 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TWY–A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark May 5, 1810 Thomas Rowlandson A stout stage-coachman holds a bowl and stands by the door of an inn, holding the chin of the landlady.. A Bait for Kiddies on the North Road. Or That's Your Sort Prime Bang up the Mark. Thomas Rowlandson (British, London 1757–1827 London). May 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle August 31, 1813 Thomas Rowlandson Dr. Syntax, within a busy bar, seated at right, extends his hand to get a drink.. Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle. Thomas Rowlandson (British, London 1757–1827 London). August 31, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R15–Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle August 31, 1813 Thomas Rowlandson Dr. Syntax, within a busy bar, seated at right, extends his hand to get a drink.. Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle. Thomas Rowlandson (British, London 1757–1827 London). August 31, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle August 31, 1813 Thomas Rowlandson Dr. Syntax, within a busy bar, seated at right, extends his hand to get a drink.. Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle. Thomas Rowlandson (British, London 1757–1827 London). August 31, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R1B–Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle August 31, 1813 Thomas Rowlandson Dr. Syntax, within a busy bar, seated at right, extends his hand to get a drink.. Doctor Syntax, in the Middle of a Smoking Hot Political Squabble, Wishes to Whet his Whistle. Thomas Rowlandson (British, London 1757–1827 London). August 31, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Presented with a famous horse by Count Przolossky, with which he performs many extraordinary feats [1809], reissued 1811 Thomas Rowlandson The horse has been cut in two, which the Baron discovers when he leads the horse to drink at a fountain, and water flows out of the severed end.. Presented with a famous horse by Count Przolossky, with which he performs many extraordinary feats. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HJ1MJ9–Presented with a famous horse by Count Przolossky, with which he performs many extraordinary feats [1809], reissued 1811 Thomas Rowlandson The horse has been cut in two, which the Baron discovers when he leads the horse to drink at a fountain, and water flows out of the severed end.. Presented with a famous horse by Count Przolossky, with which he performs many extraordinary feats. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints
Kitchin Stuff November 1, 1810 Thomas Rowlandson A cook sleeps by the kitchen fire in an armchair with her feetup on the chimney-piece. She holds a glass filled from a bottle of 'Cherry Bounce' at her elbow. A plump kitchen-maid is also asleep beside her, with her arm round the neck of a footman who sleeps on her shoulder.. Kitchin Stuff. Thomas Rowlandson (British, London 1757–1827 London). November 1, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W2B–Kitchin Stuff November 1, 1810 Thomas Rowlandson A cook sleeps by the kitchen fire in an armchair with her feetup on the chimney-piece. She holds a glass filled from a bottle of 'Cherry Bounce' at her elbow. A plump kitchen-maid is also asleep beside her, with her arm round the neck of a footman who sleeps on her shoulder.. Kitchin Stuff. Thomas Rowlandson (British, London 1757–1827 London). November 1, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Mistake August 1, 1809 Thomas Rowlandson A man, at right, accosts a woman who is walking with a basket of eggs, and says, 'My Love! you have a Sweet pair of Legs. I never saw such a pretty pair before. I'll swear they are Twins.' She retorts, 'No, no, Sir. Indeed you mistake. You do indeed. For I have had one, or two, between them.'. The Mistake. Thomas Rowlandson (British, London 1757–1827 London). August 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G6B–The Mistake August 1, 1809 Thomas Rowlandson A man, at right, accosts a woman who is walking with a basket of eggs, and says, 'My Love! you have a Sweet pair of Legs. I never saw such a pretty pair before. I'll swear they are Twins.' She retorts, 'No, no, Sir. Indeed you mistake. You do indeed. For I have had one, or two, between them.'. The Mistake. Thomas Rowlandson (British, London 1757–1827 London). August 1, 1809. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Sports of a Country Fair, Part the Second October 5, 1810 Thomas Rowlandson Part of a series. View of a fair, with booths lined up at left, and a small, malfunctioning ferris wheel at right, from which a young girl falls. The spectators look towards the accident, including a man at left who is pickpocketed.. Sports of a Country Fair, Part the Second. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH010N–Sports of a Country Fair, Part the Second October 5, 1810 Thomas Rowlandson Part of a series. View of a fair, with booths lined up at left, and a small, malfunctioning ferris wheel at right, from which a young girl falls. The spectators look towards the accident, including a man at left who is pickpocketed.. Sports of a Country Fair, Part the Second. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Accomodation Ladder September 1, 1811 Thomas Rowlandson An elderly naval officer begins to climb a ladder, which is held by a woman more than twice his height. He holds a telescope and wears a ribbon inscribed 'Death or Victory.' A ribbon on her hat is inscribed 'England expects every Man To do his Duty.'This state lack's Tegg's name.. Accomodation Ladder. Thomas Rowlandson (British, London 1757–1827 London). September 1, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints Stock Photo
RM2HH0GYT–Accomodation Ladder September 1, 1811 Thomas Rowlandson An elderly naval officer begins to climb a ladder, which is held by a woman more than twice his height. He holds a telescope and wears a ribbon inscribed 'Death or Victory.' A ribbon on her hat is inscribed 'England expects every Man To do his Duty.'This state lack's Tegg's name.. Accomodation Ladder. Thomas Rowlandson (British, London 1757–1827 London). September 1, 1811. Hand-colored etching. Thomas Tegg (British, 1776–1846) ?. Prints
A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire September 12, 1813 Thomas Rowlandson A woman unloads a wagon at left, and hands a man a basket of bread. A group of people is lined up outside of the Flying Waggon Inn at right.. A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire. Thomas Rowlandson (British, London 1757–1827 London). September 12, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R1E–A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire September 12, 1813 Thomas Rowlandson A woman unloads a wagon at left, and hands a man a basket of bread. A group of people is lined up outside of the Flying Waggon Inn at right.. A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire. Thomas Rowlandson (British, London 1757–1827 London). September 12, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Kitchin Stuff November 1, 1810 Thomas Rowlandson A cook sleeps by the kitchen fire in an armchair with her feetup on the chimney-piece. She holds a glass filled from a bottle of 'Cherry Bounce' at her elbow. A plump kitchen-maid is also asleep beside her, with her arm round the neck of a footman who sleeps on her shoulder.. Kitchin Stuff. Thomas Rowlandson (British, London 1757–1827 London). November 1, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0W31–Kitchin Stuff November 1, 1810 Thomas Rowlandson A cook sleeps by the kitchen fire in an armchair with her feetup on the chimney-piece. She holds a glass filled from a bottle of 'Cherry Bounce' at her elbow. A plump kitchen-maid is also asleep beside her, with her arm round the neck of a footman who sleeps on her shoulder.. Kitchin Stuff. Thomas Rowlandson (British, London 1757–1827 London). November 1, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Comedy in the Country, Tragedy in London May 29, 1807 Thomas Rowlandson At top, a group of men and two women sit behind the orchestra, laughing. Below, spectators sit crying behind a weeping orchestra. A woman administers a smelling bottle to a fainting, crying man at left.. Comedy in the Country, Tragedy in London. Thomas Rowlandson (British, London 1757–1827 London). May 29, 1807. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TP2–Comedy in the Country, Tragedy in London May 29, 1807 Thomas Rowlandson At top, a group of men and two women sit behind the orchestra, laughing. Below, spectators sit crying behind a weeping orchestra. A woman administers a smelling bottle to a fainting, crying man at left.. Comedy in the Country, Tragedy in London. Thomas Rowlandson (British, London 1757–1827 London). May 29, 1807. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Comedy in the Country, Tragedy in London May 29, 1807 Thomas Rowlandson At top, a group of men and two women sit behind the orchestra, laughing. Below, spectators sit crying behind a weeping orchestra. A woman administers a smelling bottle to a fainting, crying man at left.. Comedy in the Country, Tragedy in London. Thomas Rowlandson (British, London 1757–1827 London). May 29, 1807. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0THE–Comedy in the Country, Tragedy in London May 29, 1807 Thomas Rowlandson At top, a group of men and two women sit behind the orchestra, laughing. Below, spectators sit crying behind a weeping orchestra. A woman administers a smelling bottle to a fainting, crying man at left.. Comedy in the Country, Tragedy in London. Thomas Rowlandson (British, London 1757–1827 London). May 29, 1807. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Business and Pleasure 1813 Thomas Rowlandson A cobbler and a man with a walking stick in conversation. The cobbler says, 'What do you say Neighbour – Five Men to be hung this morning!! well I should like to go to be sure, but I must stick to Business.' The other man responds, 'Aye Aye Friend Snob – you are always at work – never have time to take a little pleasure!!'. Business and Pleasure. Thomas Rowlandson (British, London 1757–1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R1X–Business and Pleasure 1813 Thomas Rowlandson A cobbler and a man with a walking stick in conversation. The cobbler says, 'What do you say Neighbour – Five Men to be hung this morning!! well I should like to go to be sure, but I must stick to Business.' The other man responds, 'Aye Aye Friend Snob – you are always at work – never have time to take a little pleasure!!'. Business and Pleasure. Thomas Rowlandson (British, London 1757–1827 London). 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
The Art of Ingeniously Tormenting February 8, 1808 Thomas Rowlandson One of five plates after Woodward. Images inspired by the novelist Jane Collier's (1714-1755) 'An Essay on the Art of Ingeniously Tormenting' (1753), a satirical advice book giving advice on how to nag, including methods to tease and mortify. Modelled on Jonathan Swift's satirical essays.. The Art of Ingeniously Tormenting. After George Murgatroyd Woodward (British, 1765–1809 London). February 8, 1808. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH00RX–The Art of Ingeniously Tormenting February 8, 1808 Thomas Rowlandson One of five plates after Woodward. Images inspired by the novelist Jane Collier's (1714-1755) 'An Essay on the Art of Ingeniously Tormenting' (1753), a satirical advice book giving advice on how to nag, including methods to tease and mortify. Modelled on Jonathan Swift's satirical essays.. The Art of Ingeniously Tormenting. After George Murgatroyd Woodward (British, 1765–1809 London). February 8, 1808. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Lose their Compass, their ships slips between the teeth of a fish unknown in this part of the world [1809], reissued 1811 Thomas Rowlandson Several ships in the sea, some of which are within the mouth of a gigantic fish at left.. Lose their Compass, their ships slips between the teeth of a fish unknown in this part of the world. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0G6T–Lose their Compass, their ships slips between the teeth of a fish unknown in this part of the world [1809], reissued 1811 Thomas Rowlandson Several ships in the sea, some of which are within the mouth of a gigantic fish at left.. Lose their Compass, their ships slips between the teeth of a fish unknown in this part of the world. 'Surprising Adventures of the Renowned Baron Munchausen'. Thomas Rowlandson (British, London 1757–1827 London). [1809], reissued 1811. Hand-colored etching; reissue. Thomas Tegg (British, 1776–1846). Prints
Sports of a Country Fair, Part the Second October 5, 1810 Thomas Rowlandson Part of a series. View of a fair, with booths lined up at left, and a small, malfunctioning ferris wheel at right, from which a young girl falls. The spectators look towards the accident, including a man at left who is pickpocketed.. Sports of a Country Fair, Part the Second. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0GCX–Sports of a Country Fair, Part the Second October 5, 1810 Thomas Rowlandson Part of a series. View of a fair, with booths lined up at left, and a small, malfunctioning ferris wheel at right, from which a young girl falls. The spectators look towards the accident, including a man at left who is pickpocketed.. Sports of a Country Fair, Part the Second. Thomas Rowlandson (British, London 1757–1827 London). October 5, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Libel Hunters on the Lookout, or Daily Examiners of the Liberty Press April 12, 1810 Thomas Rowlandson Fourteen elderly men discuss libel proceedings. A large placard on the wall shows that they are members of 'The Rotten Bourough Society Established in 1810 Gibery Vixe President Leatherbreech Vice—'. Libel Hunters on the Lookout, or Daily Examiners of the Liberty Press. Thomas Rowlandson (British, London 1757–1827 London). April 12, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0TRM–Libel Hunters on the Lookout, or Daily Examiners of the Liberty Press April 12, 1810 Thomas Rowlandson Fourteen elderly men discuss libel proceedings. A large placard on the wall shows that they are members of 'The Rotten Bourough Society Established in 1810 Gibery Vixe President Leatherbreech Vice—'. Libel Hunters on the Lookout, or Daily Examiners of the Liberty Press. Thomas Rowlandson (British, London 1757–1827 London). April 12, 1810. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire September 12, 1813 Thomas Rowlandson A woman unloads a wagon at left, and hands a man a basket of bread. A group of people is lined up outside of the Flying Waggon Inn at right.. A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire. Thomas Rowlandson (British, London 1757–1827 London). September 12, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0R1H–A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire September 12, 1813 Thomas Rowlandson A woman unloads a wagon at left, and hands a man a basket of bread. A group of people is lined up outside of the Flying Waggon Inn at right.. A Doleful Disaster, or Miss Fubby Fatarmin's Wig Caught Fire. Thomas Rowlandson (British, London 1757–1827 London). September 12, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
Bachelor's Fare, Bread, Cheese, and Kisses February 10, 1813 Thomas Rowlandson A man sits in a high-backed chair and puts his arms around a pretty girl who stands in front of him. She kisses him and holds his face between her hands. Cheese and bread are on the table behind him at left.. Bachelor's Fare, Bread, Cheese, and Kisses. Thomas Rowlandson (British, London 1757–1827 London). February 10, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints Stock Photo
RM2HH0PWE–Bachelor's Fare, Bread, Cheese, and Kisses February 10, 1813 Thomas Rowlandson A man sits in a high-backed chair and puts his arms around a pretty girl who stands in front of him. She kisses him and holds his face between her hands. Cheese and bread are on the table behind him at left.. Bachelor's Fare, Bread, Cheese, and Kisses. Thomas Rowlandson (British, London 1757–1827 London). February 10, 1813. Hand-colored etching. Thomas Tegg (British, 1776–1846). Prints
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