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The Interpretation of Early Music. [Mit Notenbeisp.] (1. Publ.)

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Faber & Faber, 1963 - Music - 605 pages

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Contents

The Approach to Early Music
25
The Interplay of Styles
36
Music as Expression
49
Copyright

183 other sections not shown

Other editions - View all

The Interpretation of Early Music
The Interpretation of Early Music
ROBERT AUTOR DONINGTON
No preview available - 1989
The Interpretation of Early Music: New Revised Edition
The Interpretation of Early Music: New Revised Edition
Robert Donington
No preview available - 1989

Common terms and phrases

accented acciaccatura accidental accompaniment accompanist Adagio Allegro appoggiatura arpeggiation articulation Augsburg Bach's baroque music baroque period beat Berlin breve C. P. E. Bach cadence chromatic composer Couperin crotchets discord dissonance dotted notes early baroque early music effect embellishments Essay example expression F. W. Marpurg figured bass fingers flat flute French gamba give half-trill hand harmony harpsichord hexachord instruments interpretation intervals Italian J. S. Bach Joachim Quantz keyboard leading-note length Leopold Mozart less London long appoggiaturas lute main note marked means measure melody modern mordent movement musica ficta normal notation octave ornament Paris passages passing notes performer piano piece pitch played Pralltriller Quantz quavers quick realisation renaissance rule semibreve semiquavers semitone sharp short appoggiatura singing slow slurred solo sometimes sonatas sound speed standard string stroke style taken tempo Thomas Mace tone tremolo trill turn vibrato viol violin Violinschule voice written

Bibliographic information

QR code for The Interpretation of Early Music. [Mit Notenbeisp.] (1. Publ.)
TitleThe Interpretation of Early Music. [Mit Notenbeisp.] (1. Publ.)
AuthorRobert Donington
PublisherFaber & Faber, 1963
Original fromthe University of California
Digitized23 Sep 2010
Length605 pages
  
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