The English Glee in the Reign of George III: Participatory Art Music for an Urban SocietyThis book presents history an analysis of the English glee, a neglected art form popular in England during the time of Mozart, Haydn and Beethoven. With an introduction, bibliography, indices, music examples, tables and figures. |
Contents
A Neglected Repertory | 3 |
Five Georgian Ideas That Shaped the Glee | 27 |
The Glee and Its Precursors | 41 |
Copyright | |
15 other sections not shown
Common terms and phrases
accompaniment alto amateur Andrew Stevenson anthologies appeared Arne arrangements ATTB Baptie bass Battishill British Broderip Canons Canzonets Charles choral Clarke-Whitfeld clef Collection of Glees compositions concert continuo Cooke Corfe Danby eighteenth century England English music example figured bass Four Voices George Georgian Georgian glee Glee Club glee composers glee singing glee writers Glees for Three Harington Harmony Hayes homophonic Horsley Ibid John Danby John Stafford Smith John Wall Callcott Knyvett Ladies later Linley London Madrigal Madrigal Society meas melodies musicians nineteenth century opera organist part-song performance Philip Hayes piano pieces poem poetry popular pow'r private glee prize public glee published repertory Samuel Webbe SATB SATTB score sentiments singers social solo song soprano Spofforth SSATB SSB or TTB SSTB style sung sweet tenor texture Thomas Thomas Augustine Arne thou three voices treble Warren Collection Webbe's William William Horsley words wrote